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Thus (Coimbra 14 April, 1753): in a "Community Mass" it is always necessary to sing the Gloria, Credo, all of the Gradual, the Preface, Pater noster, so, too, a question from Chioggia in 1875, as to whether the custom introduced into that diocese of omitting the chant of the Gradual, the Tract, the Sequence, the Offertory, the Benedictus the Retrieved from "https://www.cpdl.org/wiki/index.php?title=Missa_Ego_flos_campi_(Juan_Gutierrez_de_Padilla)&oldid=1653616" Kyrie. The three verses of the Kyrie are an obvious allusion to the trinity. The symbolism involving the trinity is very strong throughout this movement, as we shall see. The Kyrie first starts in D major. ' Kyrie ' is intoned three times by the choir representing the people. Each time the choir is answered by a soloist representing the priest. Original note values. Text underlay in Kyrie and Osanna I and II largely editorial. General Information. Title: Missa Ad coenam Agni providi Composer: Giovanni Pierluigi da Palestrina Lyricist: Number of voices: 5vv Voicing: SAATB Number of voices: 6vv Voicing: SAATBB, in Agnus Dei II Genre: Sacred, Mass. Language: Latin Instruments: A cappella Retrieved from "https://www.cpdl.org/wiki/index.php?title=Communion_Service_in_C_(Charles_Villiers_Stanford)&oldid=1529626" Site De Rencontre En Anglais Gratuit. Music files L E G E N D Disclaimer How to download ICON SOURCE Pdf MusicXML LilyPond Zip file Web Page File details Help All movements (Posted 2017-09-23) CPDL #46447: Contributor: Paolo Pandolfo (submitted 2017-09-23). Score information: A4, 233 pages, MB Copyright: CPDL Edition notes: Scanned score. Separate movements Kyrie Editor: Johannes Becker (submitted 2016-07-20). Score information: A4, 4 pages, 140 kB Copyright: CPDL Edition notes: Kyrie, Vocals only. Editor: Michael Gibson (submitted 2007-08-06). Score information: A4, 31 pages, MB Copyright: CPDL Edition notes: Includes a keyboard version of the original accompaniment. Section 1 - Pages 1 to 31: Kyrie & Gloria (as far as Domine Deus, Rex caelestis) Gloria Editor: Johannes Becker (submitted 2016-07-20). Score information: A4, 12 pages, 241 kB Copyright: CPDL Edition notes: Gloria, choir only. Editor: Michael Gibson (submitted 2007-08-06). Score information: A4, 38 pages, MB Copyright: CPDL Edition notes: Includes a keyboard version of the original accompaniment. Section 2 - Pages 32 to 69: Gloria (from Qui tollis) Credo Editor: Johannes Becker (submitted 2016-07-20). Score information: A4, 8 pages, 193 kB Copyright: CPDL Edition notes: Credo, part 1, vocals only. Editor: Johannes Becker (submitted 2016-07-20). Score information: A4, 6 pages, 180 kB Copyright: CPDL Edition notes: Credo part 2, Et vitam, vocals only. Editor: Michael Gibson (submitted 2007-08-06). Score information: A4, 42 pages, MB Copyright: CPDL Edition notes: Includes a keyboard version of the original accompaniment. Section 3 - Pages 70 to 111: Credo. Prélude religieux - Ritournelle - Sanctus & Benedictus - O salutaris hostia - Agnus Dei Editor: Johannes Becker (submitted 2016-07-20). Score information: A4, 4 pages, 181 kB Copyright: CPDL Edition notes: Sanctus, Agnus dei, vocals only. Editor: Michael Gibson (submitted 2007-08-06). Score information: A4, 24 pages, 1000 kB Copyright: CPDL Edition notes: Includes a keyboard version of the original accompaniment. Section 4 - Pages 112 to 135 General Information Title: Petite Messe Solennelle Composer: Gioachino Rossini Number of voices: 4vv Voicing: SATB, + soli Genre: Sacred, Mass Language: Latin Instruments: Harmonium and two pianos or orchestra First published: 1863 2nd published: 1968 by Ricordi (London) Description: This work was Rossini's last major composition and dates from 1863. With typical ironic wit, the Mass is neither 'Petite' (taking around 75 minutes in performance) nor 'Solennelle'. It was first performed on 14 March 1864 on the occasion of the dedication of the private chapel of the Comte and Comtesse Pillet-Will in their home in the Rue Moncey. The work is dedicated to the Comtesse. The autograph score of the original version of this work is annotated by Rossini "Twelve singers of three sexes, men women and castrati, will be sufficient for its performance: that is to say eight for the chorus and four for the solos" This note is somewhat surprising, as 'castrati' had virtually died out by that period. It is of note that, in the first performance of this work, supervised by Rossini, the alto solo part was sung by a female contralto, not a male alto. Rossini also marked that the soloists should sing with the chorus. This would require a prodigious effort on the part of the soloists and modern concert choirs would not need this reinforcement. The current edition therefore does not suggest that the soloists double the chorus parts. First performed 1864. Rossini adopted the unique sound of harmonium and two pianos to accompany this work, and this should be replicated in performance where possible. The single piano accompaniment given here is for rehearsal purposes only. Rossini was later prevailed upon to orchestrate this work and he sought to ensure as little distortion of the work’s timbres and textures as possible. But the original harmonium/piano version may be thought to be the best. External websites: Free choir training aids for this work are available at Choralia. Original text and translations For information, refer to the Mass page. For texts and translations, see the individual pages: Kyrie • Gloria • Credo • Sanctus & Benedictus • Agnus Dei Original text and translations may be found at O salutaris hostia. Agnus Dei II (soprano II) P Philippe 04/02/2015 16:22 En chantan nous prions par deux fois Répondre D pas encore en vacances ??? ta construction avance ??? j'attends des nouvelles !! LOL MDR bisous Répondre D bonsoir mon amie et merci pour ton sympathique commentaire ... quand j'étais petite, dans mon village, les chants religieux étaient encore en latin et je trouve que cela leur donnait une profondeur particulière ... maintenant je ne vais plus à l'église ... mais c'est une autre histoire ... gros bisous Répondre Soprano Kyrie Gloria Credo Sanctus Benedictus Agnus Dei Alto Kyrie Gloria Credo Sanctus Benedictus Agnus Dei Tenor Kyrie Gloria Credo Sanctus Benedictus Agnus Dei Bass Kyrie Gloria Credo Sanctus Benedictus Agnus Dei

kyrie gloria credo sanctus benedictus agnus dei